This week I had the pleasure of seeing Darren Aronofsky be interviewed at the BFI and go to a special screening of a William Friedkin film, and in attendance were the musicians who scored the film. Both evenings were courtesy of my friend Pete, but embarrassingly I asked him who scored the film, while suggesting it was Tangerine Dream, only to find out that it was Wang Chung only to realise that two members of the band were sitting right in front of us ¯\_(ツ)_/¯. My mental model of the film’s sound was wrong and mixed two 80’s groups up.
🎬 #54 Emotional Models in Cinema.
🎬 #54 Emotional Models in Cinema.
🎬 #54 Emotional Models in Cinema.
This week I had the pleasure of seeing Darren Aronofsky be interviewed at the BFI and go to a special screening of a William Friedkin film, and in attendance were the musicians who scored the film. Both evenings were courtesy of my friend Pete, but embarrassingly I asked him who scored the film, while suggesting it was Tangerine Dream, only to find out that it was Wang Chung only to realise that two members of the band were sitting right in front of us ¯\_(ツ)_/¯. My mental model of the film’s sound was wrong and mixed two 80’s groups up.